Wednesday, 16 February 2011

Two things


Can you see Batman and Wolverine?

Tuesday, 15 February 2011

Let's a go!



Best thing we saw today.

Friday, 11 February 2011

Good stuff for Friday!!!!



OLD SPICE IS BACK



QR Codes in New York to promote music



And the Mercedes Tweet Race. Cars powered by Twitter. Interesting stuff.

FB page is here.

Have a good weekend. I'm working. Bollocks!

Monday, 7 February 2011

DUUUUUUBBBBBSTTTEEEEPPPPP!!



DUBSTEP MAKES SHIT ADS BETTER



DUBSTEP LEADS TO EDGY MUSIC VIDEOS

DUBSTEPPPPPP!!!!!!

Friday, 4 February 2011

Too good not to post



Nothing feels forced (pardon the pun) in this TV spot for VW. This could be a comedy sketch that happens to feature a VW.

Wednesday, 2 February 2011

Creative Directors to try and work with

We had the pleasure of working with two Creative Directors last year who have really inspired us.

Alex Grieves (CW) and Adrian Rossi (AD) have done some truly amazing work. And it's work that you actually remember!

They always start with insight and simple ideas. Then they execute them brilliantly.

If we make one of these type of ads in our career we'll be happy. Take a look a look at some of their best work.



Alex said that this script went from a page long to a simple sentence. Something like... We open on an island and millions of women are running at a man spraying Lynx.

He wrote it a lot better than that obviously.



Audi - Rhythm of lines.


A great cinema ad that really hits home. I won't spoil it.

They also did these posters that have photography from Nadeev Kandar!


This has to be one of the most talked about ads of the beginning of the millennium. Everyone should remember this.

Friday, 28 January 2011

QR codes get pretty

The normal QR code that 'the entire world' know about...right?

Peringon
Don Perignon's sexy QR codes that point to the campaign below



QR codes. Every one in advertising has heard about them. Everyone else hasn't.

They are a coded image that when photographed by a smart phone, sends it a link to an image, URL or video.

It's a very smart barcode if you want to explain it to someone out of advertising.

It seems they are finally making their way onto posters in this country.

We saw this nice example of how they can be incorporated into a brands logo. It means they don't stick out like a black and white sore thumb on the page.

They can now work with the look of a poster and give the people who know what it is more information.

Nifty stuff hey?

The company that do them are called Set Japan.

Thursday, 27 January 2011

Bat Cat


Funny.

Tuesday, 25 January 2011

Thoughts for a Tuesday




Subaru: Choose your driving angle.

A nice use of interactivity on Youtube. Different angles in film are all the rage.


The future of mobile tagging.

You might just be getting used to writing the words 'share' and 'status update' into every creative doc you write. But don't forget mobile advertising's potential this year.

Scan read this slide show for a quick hit of mobile point of sale and QR code banter.

Facebook and mobile are soon going to be hand in hand as Facebook places start offering deals for check ins.



Deals will offer up a new way of getting customers interested and loyal to a brand. Go into a shop, check in three times and get 20% off.

"What's that Mr Brand? Money off. Yes please!" (Customers will say)

Check out this example...


Finally..

This is quite cool. Not massively impressed by the execution. But the tech is nice.

Interactive Display Window Concept from Gustaf Engström on Vimeo.

Monday, 24 January 2011

Thursday, 20 January 2011

SNL Digital Shorts

All very funny. Surprised these past us by...



Andy and Pee Wee Herman's big night out



Great day



Shy Ronnie

Who said crayons were for children





Here's some nice portraits done with crayons. Clever stuff innit?

The moody looking artist behind these delights is Christian Faur.

He's obviously came up with some deep and meaningful pyscho-babble to rationalise why he's used crayons.

I just think they're pretty cool to look at. Why is that never enough for the art world?